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Only two things come to mind here, but I'll keep mulling it over. 1/ You're using some form of noise reduction on the deck to record the tape and the playback decks don't support that format. 2/ You're biasing (metal etc...) the tape in a format that the players don't support. 3/ (I know I said two... :) ) Is it possible that by some freak of nature you managed to put the tape in A side up on the home deck and B side up on all of the others? I've had issues like you describe (related to alignment) with auto reverse decks not liking the tape in one particular direction. My best guess though is that you are correct on your alignment assumption.... Do you have a commercial tape laying around which has the test audio at the beginning? I'm not positive on this, but I always wondered if higher end units could use that for self alignment.
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I know you said the VU meters were "up there", but I remember my TEAC deck had both volume and recording level adjustment knobs. And those 2 adjustments had no impact on the VU merters. When recording, I had to do tests first to find the correct recording level. Otherwise I would have the exact problem you are having. Man, that was a long time ago - 20 years! hehe, I remember those Maxell XL Metal cassettes, costing me an arm and a leg...
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*Edit Oh, do you mean a short little bit of audio that rapidly increases in pitch? If so I just found a tape that has one. Quote:
Even the Rec EQ dial with settings from -2 to +2 has extremely little effect on the recorded audio.
__________________ Phenom x4 9950 BE, Gigabyte MA790GP-DS4H, 2x2GB G.SKILL F2-8000CL5D-4GBPQ 250GB 7200.10/640GB&500GB 7200.11 'Cuda, Samsung SH-S203N/Pioneer DVR-112D Radeon HD 3850 256MB, 22" Acer X223W Corsair TX750W, Generic(?) ATX fulltower case (6x 5.25"/9x 3.5") Sansui G-4700 receiver +2x 60w spks/Yamaha YST-M7 Last edited by MacJunky; July 24, 2008 at 02:53 PM. |
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The test audio I'm refering to on comercial tapes is about 5 seconds of tones scaling up from low to high. (Same idea as the DBX headers we hear on VHS tapes). Quote:
That would be the first place I'd look, especially since it works great on that unit, but sounds like crap on the others. Maybe the switch is stuck in the on position?
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I doubt it, the switch is off and I can hear the difference when turning it on and then to super. I don't know what happened but since I played a commercial tape from around the house the quality is not quite as bad with the others playing a recent KD-55 recording. It still sounds bad but it is slightly better. I have not touched the ANRS switch since the first testing. If I play the KD-55 recording in the GX-ASX with either dolby B or C it sounds horrid. Same with the dbx set to tape. I do not know the specifics on ANRS but it is mentioned a bit here: ANRS...and a real beauty....sigh..... [Archive] - pink fish media JVC KD-85 - Any Info On It? [Archive] - AudioKarma.org Home Audio Stereo Discussion Forums diyAudio Forums Archive - "Vintage" JVC Cassette Deck; metal bias? RE: arsclist Dolby and unintended consequences Re: [ARSCLIST] Dolby B, et al and now ANRS [ARSCLIST] Dolby B, et al and now ANRS
__________________ Phenom x4 9950 BE, Gigabyte MA790GP-DS4H, 2x2GB G.SKILL F2-8000CL5D-4GBPQ 250GB 7200.10/640GB&500GB 7200.11 'Cuda, Samsung SH-S203N/Pioneer DVR-112D Radeon HD 3850 256MB, 22" Acer X223W Corsair TX750W, Generic(?) ATX fulltower case (6x 5.25"/9x 3.5") Sansui G-4700 receiver +2x 60w spks/Yamaha YST-M7 Last edited by MacJunky; July 24, 2008 at 03:50 PM. |
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I can't seem to find any tapes with the test audio you mentioned. Was it more common during certain years? Was it more common on tapes produced by certain companies? Do any cassette decks built in 1978 even support self alignment at all? I am betting that this does not and I am just hallucinating about the audio quality or remembering incorrectly or something.
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My experience with cassette would have been mainly mid - late `80s and I would have purchased the majority of my tapes in europe.
__________________ Gigabyte P35-DQ6 / E8400 / 2X2 Gig Mushkin PC2 8500 Ascents / Corsair TX750W PSU / Gigabyte 8800GTS / CoolerMaster Cosmos S / MCP655 WC Pump / MCR320 Rad / 6X Yate Loons / PA120.1 / 2X Scythe Ultra Kaze / Swiftech Apogee GTZ WB / Samsung 2253BW ASUS P5Q Pro / Q6600 / 2X1 Gig Supertalent PC2 6400 / PC P&C 750W Silencer / HIS 3870 IceQ3 / HT Omega Striker 7.1 / MCR220-QP-Res / DD DDCPX-Pro / Apogee GT / Swiftech MCW30 / Highspeed PC Tech Station / Samsung 931BF |
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Ok, I dealt with it by hand&ear. I figured that I may as well play with it so I got a fine tipped marker and marked the default adjustment screw positions and with a commercial tape playing went at it with a screwdriver. I used the most recent commercial tape with the least use I could find, a big shiny tunes 6 tape. Please don't laugh, when I got it I was not into the whole music thing so I did not know what I actually liked and did not like very well. It was purchased as a part of initial testing. Anyway, I did not care for the majority of it(the wussy/wannabe rock and rap) so it did not get used much and thus in my opinion made a good candidate. I just played it in each device I had then tried to make the KD-55 match the others that all sounded basically the same. Nothing fancy I know, but after that I played the previous KD-55 recording in all the devices to make sure it sounded the same across all (Using only one seat of headphones directly connected to all devices). after that I made a new test recording on the test tape and tried it in everything as well including my sister's car. Seems I was very close to spot on but the deck in my sister's car has just slightly different alignment than the GX-ASX and RP-1830A. It is easy enough to compensate for that though if I need to record anything else for her and want as close to perfection as possible, at the moment it sounds good enough anyway. There is no bloody way I am digging the deck out of her Cavalier for adjustment unless I absolutely have to. So, in the end about a bit over a full clockwise turn of a screw and all is working nicely. :P I should have done this sooner.
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